Wednesday, January 31, 2007

Akshay Shah Reviews "SALAAM-E-ISHQ" (Hindi, 2007)

Akshay Shah Reviews "SALAAM-E-ISHQ" (Hindi, 2007)

SALAAM-E-ISHQ was a movie that was high on expectations for a number of reasons. For a gigantic cast, a promising director in the form of Nikhil Advani whose last film was the hit KAL HO NA HO, superb publicity and a fantastic musical score. The concept on paper sounded different refreshing, and the promos enforced that idea…so does the movie live upto expectations? Franky-NO, not in total anyways!




Salaam-E-Ishq The movie narrate six stories in one movie, but unlike say Ram Gopal Varmas DARNA MANAA HAI or DARNA ZAROORI HAI the stories(for the most) are all interconnected in some way. The actual story idea of the movie is a copy of the Hollywood Hit LOVE ACTUALLY, however the concept doesn’t translate well onscreen in its “indianised avtar”.

The first story revolves around Tehzeeb(Vidya Balan) who is happily married to her loving husband Ashutosh(John Abraham). The hindu-muslim couple had a love marriage and the movie starts with the wedding anniversiary of the duo where Ashutosh has sold his bike in order to buy Tehzeeb a gift, things are perfect for the duo until a storm strikes-Tehzeeb is involved in a accident and loses her memory and can’t remember anything about her past-and more importantly can’t remember Ashutosh at all. A doting and lovable Ashutosh doesn’t stop trying. This story is well directed in the first half, however in the second half it does tend to get boring. The sequences between John and Vidya initially are well executed in establishing their relationships, however from the sequence where Vidya loses her memory to the sequences before the climax. The scene at Akshaye Khannas house towards the end is a masterstroke and overall turns this story into a warm winner.





The second story revolves around a happy-go-lucky cab driver Raju(Govinda) who waits everyday at the airport waiting for his “dreamgirl” Stephanie(Shannon Esra). Stephanie finally comes, but she is looking for her boyfriend Rohit(Kushal Punjabi) who is about to marry someone else. A heartbroken Raju still decides to take Stephanie to her lover one last time, however in their trip Stephanie too falls in love with Raju however both don’t express their love. This is a story that clicked right from the word GO! Laced with some SUPERB comic scenes due to a spontaneous performance by Govinda in top-form the tale is one that is sure to click with the masses as the tale of a “everyday cabbie falling in love with a british girl” has immense appeal. What keeps the story “alive” throughout is the conversations and interactions between Govinda and Shannon. Admittedly, the story is thin and does seem stretched after a point, however you forget all that as the story does keep the viewer interest intact and entertains to a core.

Story number three revolves around Vinay(Anil Kapoor) who on surface leads a “perfect” life with his doting and gorgeous wife Seema(Juhi Chawla). The two have been married for 15 years and have two children as well. But Vinays life has turned into a “routine” of sorts for him and he wants more from his life as he starts going through a mid-life crisis. He bumps into Anjali(Anjana Sukhani) who promises Vinay all the things in life that he has so far only dreamt of Vinay indulges in a extra marital affair. This forms one of the more “mature” love stories in the movie, and sadly the tale has been written and presented in a completely clichéd manner, had it not been for the performances of Anil Kapoor and Juhi Chawla who make the story work on some level, it would’ve been fallen flat. One has witnessed plenty of movies on extra marital affairs in Bollywood, and Advanis take on the tale seems too simplistic. The portions where Anil goes through a radical transformation to impress Anjana are well executed, though seem slightly out of place and a little bizarre(especially with Anil clean shaven in rock clothes). This one had a potential to be a lot better.


The fourth story revolves around Kamini(Priyanka Chopra) who is a item girl in Bollywood but dreams of being a top movie actress/tragedy queen ala Meena Kumari, Nargis etc and to work in a Karan Johar film. For a publicity stunt, she decides to tell the media that she’s madly in love with someone called “Rahul”, however things take a twist when Rahul(Salman) turns into a reality and enters her life. This is one of the weakest stories in the whole movie and sticks out like a sore thumb. Shoddy writing, unimpressive performances and just doesn’t click with the viewer. We know that Priyanka is hell bent on building her career, however there is nothing shown to justify her sudden and drastic change of heart towards the end. The comedy in this track too sticks out like a sore thumb as it takes digs at the Bollywood media as well as the likes of Karan Johar and Shahrukh Khan as well as other famous celebrities and incidents, however instead of executing it in a interesting manner, it comes across as crass, cheap and makes the viewer cringe.





Story five revolves around Shiven(Akshaye Khanna) who plays one of Delhis most eligible bachelors. He is engaged to Gia(Ayesha Takia) and the two are about to marry in 10 days when Shiven develops cold feet and breaks up his engagement with Gia. Slowly he realises how much Gia actually means to him. This again is a tale that is clichéd to the core, and doesn’t provide the viewer with anything new as far as story and execution goes. Infact films like DIL CHAHTA HAI and even PYAAR KE SIDE EFFECTS presented some of the themes touched upon in this tale much better, however what saves this story to a huge degree is Akshaye Khannas rather spontaneous and comical performance which is just too hard not to like as Khanna is at his charming best.Once again had potential for a lot more.

The final story is that of Ramdayam(Sohail Khan)-a middle-class Haryani who has just been married to Phoolwati(Isha Kopikkar), no matter how hard Ramdayal tries to have his “honeymoon” and get some action, some disaster strikes and he is left hanging dry. This is the story that was treated most unfairly, and one that had HUGE potential to be a comic riot. The story actually has NO relevance at all to the overall concept and narrative of the movie and plays like one of those comedy tracks seen in South Indian films. The idea behind the story is actually quiet funny with a newly married couple just wanting to have their first intimate night but with all sorts of crazy things happening around them, but one wonders why Nikhil Advani completely sidelined this track after a few scenes for the first half. It again appears right at the end in a rather crude manner, and given Sohail Khan with his manic facial expressions and fluent accent is on fire here, one can’t help but feel a little disappointed.

As a director, Nikhil Advani has no doubt taken on a huge responsibility by taking on some of the biggest stars in the industry and presenting them in a somewhat unconvential format by narrating six separate tales, however what sounded like a superb idea on paper, doesn’t translate on celluloid as Advani isn’t able to support his vision from a writing or a directional viewpoint. The screenplay at first appears disjointed and can leave the viewer feeling quiet restless, only well into the first half does the movie start coming together, but by then one can completely predict where each of the stories are going, and Advani doesn’t spring any new surprises as he chooses to take the completely clichéd route to the end. Also the length of the movie isn’t justified as such, one feels that Advani has directed a 220 minute movie NOT because the story called for it-as these could’ve been told in a much more concise and sharp manner, but because the stars called for it, and he felt obliged to try and give equal footage and screen time to each star which is a definite NO NO. So is it all bad for Mr.Advani? Not quiet, the director does handle some scenes with flair and shows sparks of brilliance in many parts however these are not enough to hold together what is a clichéd-ridden script and screenplay.

The climax/finale is the worst offence of sorts IMO, as all the stories(except Sohails) culminate into one big finale of sorts as each of the couples get together, and sort their problems. It is so entirely predictable, and comes across as rushed that it doesn’t leave the viewer excited, enthralled nor entertained! There are some stories where the ending was done well(Govindas track and Anils track) however others like Salman and Akshaye were just tiresome to watch.






The performances in the movie are a mixed bag.

Anil Kapoor is terrific in his part I felt, and perfectly conveyed the character of a confused husband going through a mid-life crisis extremely well. A dependable veteran, Kapoor plays his part with maturity and sincerity which is precisely what is expected of him. I must add Anil Kapoor is in great form as far as looks go as he looks sleek and trendy as ever and one must commend him on the way the actor has maintained his looks over the years.

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Salman Khan sleepwalks through his entire part. No doubt, Khan looks a million bucks and wears the flashiest designer clothes, and ofcourse takes of his top, smiles sweetly and the camera however as far as acting goes this film literally doesn’t offer him anything to do at all. He does have a magnetic presence everytime he’s on screen and I must say that from the other two Khans(Shahrukh and Aamir) Salman has no doubt aged the best, however the role does not require him to act at all and those who were impressed and surprised by his act in JAAN-E-MAN will be thoroughly disappointed. More importantly, he doesn’t even raise many laughs here and comes across as plain bland and boring.

Govinda is a total and complete KNOCKOUT! There was a fair amount of criticism when BHAAGAM BHAG released that Govinda looked tired, worn out, didn’t barely use 10% of his energy and was regulated to a sidekick role, and after watching SALAAM-E-ISHQ I must agree with all those points even more. Govinda totally excels here in what can be called the REAL comeback of sorts for Govinda. Its no doubt a massy role, and one that fits Govinda perfectly. Playing a non-english speaking Taxi Driver with a heart of gold Govinda is at complete and utter ease. His delivery is outstanding, his facial expressions are spot on, and above all, the actor is looking GREAT. Gone are the dark rings under his eyes and the horrible hair-do from BHAAGAM BHAG. His was no doubt the character that had the most audience support in the cinema I saw, and everytime the Govinda track was on, it was the one that had the most “seetis” and “taalis” throughout. WELCOME BACK CHI CHI!

Akshaye Khanna is great too. No doubt the actor is superb in comic roles, and again here he plays “kid growing into a man but in denial” part to utmost perfection. At times, the character is rather eccentric and over-the-top but Khanna plays it with complete understanding so it doesn’t look fake at all. His delivery and facial expressions are just wicked and very funny. After Govinda, it was Khanna that had the most reactions from the audience.




John Abraham is OK in his part. I found him to be really good in parts, and rather dull in other parts. He no doubt had one of the stronger stories in the movie, and I guess my biggest criticism with John was that he didn’t quiet “own” the emotional scenes like he could’ve. There was ample scope here for John to completely excel in the emotional scenes, and he didn’t relish the moment. He needs to work on his facial expressions when he is crying, however he was terrific in the scene towards the climax, and his female fans were not doubt completely impressed by his character which is extremely amiable.

Sohail Khan-with what little he had, played his part well. The actors track infact evoked the most laughter in the whole movie, and after the intial few rounds people were looking forward to his track, and somewhat disappointed when he didn’t come back on till the climax. His dialect and accent is just fantastic to say the least and Sohails rather whazky and zany comic expressions did the trick just fine in a underwritten part.

Juhi Chawla leaves her mark in a dignified and subdued performance. She speaks volumes with her eyes without even uttering a dialogues and Chawla plays her part with complete understanding like a true veteran. Her chemistry with Anil is great too.

Vidya Balan is wonderful in her part, and the actress no doubt has the meatiest part from the female leads. Be it the initial scenes or the emotional scenes, Balan is a class apart and this is another performance she can add to her list of great acts so far.

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Priyanka Chopra was atrocious! If you thought she was bad in KRRISH, she is just as bad here!

Ayesha Takia is good in her part, though one wishes the talented acrtress had more screen time. She looks cute as ever and that smile is still a killer.

Shannon Esra who plays Govindas “dreamgirl” actually delivers a surpringly good performance. Like Sue from RANG DE BASANTI, she manages to strike a rapport with the viewer, and more importantly shares some crackling chemistry with Govinda-you really feel for Stephanie and she is just great in the emotional scenes, and looks very attractive too.



Isha Kopikkar literally isn’t given much to do which is a pity.

Anjana Sukhani who makes her debut is good, though her character is half-baked and leaves the movie abruptly making her look like a “villan” of sorts. The girl is definetly VERY VERY SEXY with a knockout figure and a gorgeous face. She delivers her lines with confidence, and has good screen presence. A stunner!

The movie had a long list of supporting actors, none of whom really leave a mark at all. Prem Chopra, Tinnu Anand, Anang Desai, Saurabh Shukla all play their little parts as expected. Vrajesh Hirjee and Viju Khhote annoy like hell. Kushal Punjabi plays his part well.

Shankar-Ehsaans-Loys music is no doubt a absolute winner, and I felt that the film didn’t quiet do justice to the music at times, though in many places the songs were infact the highlight of the movie.

DIL KYA KARE is the perfect song to kick off the movie, and is picturised well as the credits roll. Adnan Samis soothing voices perfectly sets the scene for a “tribute to love”.

SALAAM-E-ISHQ too comes at the right place, and is a fun song to watch.

The SAIYYAN track is one that could’ve been chopped or placed better. A “bachelor party” song it felt out of place and came too close after the initial song.

MERA DIL is excellent. Placed at the right time, picturised on the multiple stories the song leaves a impact.

TENU LEKE is no doubt a tailormade Salman Khan song, and given the OOH’s and AAH’s the song does the trick. It’s racy, upbeat and Salman dances his heart out.

BAABUJI DHEERE CHALNA picturised on Anjana comes at the right time, is well picturised and Anjana just SIZZLES in this song with her seductive dance movements and very sexy outfits.

YA RABBA was my favourite song when I listened to the track, and lets just say Nikhil Advani knew its potential! The song is infact stretched across almost 30-40 minutes towards the end of the movie leading upto the climax, and Kailash Khers haunting voice, merged with Advanis storytelling here leaves a haunting effect on the viewer. Advani completely surprises the viewer here as he perfectly merges the song with the narrative to move the story forward-a masterstroke of sorts. Pity he couldn’t do that for the whole movie.

Technically the movie is a slick product, Piyush Shahs camerawork is slick, and the movie has a glossy look and feel throughout.

All up where does that leave SALAAM-E-ISHQ? Well like I said the movie is a disappointment. Disjointed narrative, muddled story and screenplay, uneven pacing and a excessive running length all seem to bring the movie down, and despite some sparks of brilliance as well as some really enjoyable performances from the actors and extremely lilting musical numbers, one can’t help but feel disappointed. In saying that, the movie is defnetly worth a dekkho once just for the stars and the songs, and if you’re a fan of Anil Kapoor, Govinda, Akshaye Khanna or John Abraham you’ll enjoy it even more.

Final Rating 6.0/10.0

Akshay Shah Reviews “KAADHAL KONDEIN” (Tamil, 2003)

Akshay Shah Reviews “KAADHAL KONDEIN” (Tamil, 2003)

Before I sat to watch KAADHAL KONDEIN I for some reason had a pre-conception that the movie was a “teen romance”, however what I got was one of the most deranged, disturbing, and psychotic films I have seen recently. And in the most sickest way, yes this is a teen romance!





The movie revolves around Vinod(Dhanush) who has grown up under the care of his church father (Nagesh) in a orphanage. Shy and introverted Vinod is a genius. The father forces Vinod to go to college and study engineering after he is accepted, however Vinod hasn’t seen much of the outside world or had interaction with many people and is hesitant at the idea. In class, he is completely out of place, and a social reject of sorts as he is ridiculed and mocked by the entire class. Divya(Sonia) sees past his odd behaviour and strikes up a friendship with him, and Vinod too slowly warms upto her. The more time they spend together, the more Vinod gets closer and closer, and his feelings soon turn to love..a very strong love. However when Vinod finds out that Divya is in love with someone else and only considers Vinod as a friend Vinod sets a plan into place which will ensure that she is his..and only his. On the run from the police and Divyas lover(Divya thinks that Vinod is helping her elope with her lover away from her father, when infact he is actually keeping his lover away from her) Vinod brings Divya to his “home”. Here the truth about Vinods past is revealed, and Divya soon finds out that behind that shy, geeky and friendly face lies a raging psychotic killer who will go to all lengths to ensure that Divya and him are together…forever.

The story of the movie is unique, and one that merges multiple genres together. The screenplay too is superb, as it initially lets the viewer into believing that it’s a love story which is formulating into a love triangle, however when you least expect it the movie takes a sharp turn into a nail-biting thriller which leaves the viewer at the edge of their seat as well as slightly disturbed and exhausted.





Selvaraghavan is a director who has guts! One finds it hard to believe that this is his debut film as a director, as he tackles a complex, unpleasant and dark tale with success and delivers a unique and rivetting viewing experience, and one that is ultimately unforgettable. Those expecting a masala fare will be disappointed as the movie is quiet different from the usual brand of “masala” that is dished out by Tamil cinema. It wanders into avenues that most film makers shy from, and Selvaraghavan keeps a tight rein over the direction from the very first screen. The first half of the movie is good and moves at a brisk pace establishing the characters of Dhanush, Sonia and Sudip. Although one can tell “all is not that meets the eye”, its actually quiet hard to predict the turn of events that follow on from there. The second half is simply gripping and doesn’t let the viewer go till the end. Yes flaws do abound in the movie, and it’s by no means a perfect movie, however given it’s from a debut director, it’s highly successful one given the movie is fantastic, and different! I must add here, the movie is by now means a “date movie” or a pleasant watch, the themes of sexual abuse, child abuse and mental abuse that is shown in what can only be called one of the most shockingly horrific flashbacks I’ve seen in recent times is one that brings a lump to the viewers throats, raises the hair on the arms as well as forcing the viewer to look away at times. A similar kind of technique was used in the Kamal Hassan starrer ABHAY where Hassan went into the psyche of his mentally deranged killer by projecting a series of flashbacks which led to his mental instability.

Another masterstroke by Selvaraghavan is his characterisations, initially one feels sorry for the character of Dhanush as we’re led to believe this may even be a “underdog love story” as the the character has our complete sympathy at the start. However as the movie progresses and the different shades of the character is revealed one starts to feel scared of him yet emotionally attached at the same time.

Same applies to the character of Sudip who initially comes across as a “comedian” of sorts, only to then take a sharp turn as the movies “villan” then to do a complete 360 and become the actual “hero” of the movie. Though the character doesn’t have complete audience support, and fails to completely convince near the end, this is no doubt a rather courageous characterisation. The last time I remember characters doing such a 360 turn was in Ram Gopal Varmas KAUN where Manoj Bajpai goes from being the creepy weird guy, to the comedian to finally the hero that one feels sympathy for!

In terms of performances the movie surprises-once again mainly because the actors in the movie were relatively new at the time the film released and the type of complex characters they are playing isn’t easy for newcomers to deliver with such conviction.

First glance at Dhanush, I just didn’t see my self watching this guy for the next 2 and a ½ hours with his rather non “heroic” and offbeat looks. I admit, I was completely wrong! The talented actor takes a complex role and rips it apart with a tour-de-force performance. He has a rather magnetic screen presence, natural raw energy as well as amazing delivery and timing that takes the viewer completely by surprise as you find yourself more and more amazed by his performance. The slow revelation from a shy-guy to a psychotic killer is portrayed with amazing conviction by Dhanush, and frankly, this is the kind of performances one expects from the veterans in the industry and not a newcomers. Yes, he is extremely raw in parts, and his noviceness does show, however that in many parts as in his favour than against him. His physical attributes actually end up complimenting his performance much like say Tusshar Kapoor in KHAKEE. One may draw parallels between other obsessive characters like Shahrukh Khan in DARR, Arbaaz Khan in DARAAR or Nana Patekar in AGNISAKSHI, however where Dhanush is different is that there is strong emotional backing for his character as well as being a obsessive psychotic, on one hand we want him to die, on the other we feel sympathy unlimited!
Aside from that, Dhanush is a excellent dance with superb agility and movements which is so natural and soothing to watch. The boy barely utters any words in the first half, yet expresses more than enough with his eyes, and his awkward delivery when he does speak is in sync with his character. The entire climax sequence, especially when he breaks into a dance is a masterstroke and one which will undoubtedly haunt the viewer long after the movie is over....hats off to Dhanush!






Sonia Agarwal is stunning! Thr actress reminded me of Rimmi Sen throughout, and she is absolutely gorgeous as far as looks are concerned. Eyes sparkling with innocence yet filled with anger when she wants, a curvaceous figure to die for, splendid delivery and spot-on facial expressions. She enacts her part with total understanding, and the scenes she shares with Dhanush are simply amazing. I did find it hard to believe at times that she didn’t see anything “unusual” about Dhanush and how close he was getting, however that was more a glare from the writing point then any point of Sonia.

Sudip I found relatively annoying in the movie, and I understand that was the point at the start of the movie where he is made to come across like a “college jerk” however even when his character takes a turn and Sonia falls in love with him, he still came across as a jerk and even towards the end of the movie doesn’t evoke the kind of audience sympathy that was needed. His performance is a letdown and stands out compared to that of Dhanushs and Sonias. By the way, is it just me, or does Sudip look a lot like Aman Verma of BAGHBAN fame?

The supporting cast members are all apt in their respective parts in the movie, and play their small roles well, but given this is primarily a three-way show they don’t have much room to shine.

Technically the movie is outstanding! Selvaraghavan is no doubt a technically savvy director who with his cameraman has captured the movie with painstaking precision on-screen. The movie creates the right type of ambience throughout with some surreal shots and camera angles.

Yuvan Shankar Rajas music is great, and his background score elevates the movie in many places throughout the movie and is used effectively. The songs have been placed well and don’t hinder with the films pace much.

All up KAADHAL KONDEIN may not necessarily be a great movie, however it is one that is thoroughly gripping, disturbing and psychotic which in turns leaves a stamp on the viewers minds. And given this is from a relatively “new” team makes it all the more a must-see!

Overall Rating 7.5/10.0

A.Shah

Akshay Shah Reviews “NAAN SIGAPPU MANIDHAN” (Tamil, 1985)

Akshay Shah Reviews “NAAN SIGAPPU MANIDHAN” (Tamil, 1985)

I was expecting a action-packed masala entertainer from NAAN SIGAPPU MANIDHAN, however what I got in return took me by complete surprise as the movie turns out to be a gritty, hard-hitting crime film with not many light-hearted moments or songs for that matter.



The movie is a “indianised” version of the Charles Brosnan starrer DEATH WISH. Vijay(Rajnikanth) is a honest college professor who lives with his other and younger sister. When he visits his friends house-another college professor Ravi(Nizhalghal Ravi) he is shocked and disgusted to see crime rate increase by alarmingly high numbers with liquor being sold at a tea stall, prostitution is full swing in another apartment in the same colony, and “rowdies” rule the streets with rape and violence in abundance.

Vijay files a complaint to the police, however the corrupt officer forewarns the criminals before the raid hence Vijay is made to look like a fool in the process. Ravis sister is brutally raped and the accused Mohanraj(Sathyaraj) is let off scot-free which leads Ravi and Vijay to take matters into their own hands as they shut down the brothel and liquor stall.

Mohanraj as a act of revenge decides to teach Vijay a lesson and alongwith his henchmen he brutally rapes Vijays sister(who then commits suicide) and kills his mother.

Vijay now decides to take the law into his own hands, and becomes a one-man judge, jury and executioner-his style? Shoot first, no questions! He roams the streets alone at nights searching for rowdies and goondas. In the public eye he comes a “hero” of sorts and is branded “Raabinhood” as he helps the poor and those in need and does the job that the police and courts aren’t able to do. The police decide to send one of their best officers-Singaaram(Bagyaraj) to track down Raabinhood and bring him to justice. But once Vijay has gotten rid of the main crimelords in the city, he decides to surrender himself as he still respects the law. Vijay is taken to court where a trial prevails..what happens next? Watch the film!

The story is no doubt inspired by DEATH WISH, and the makers must be given credit as they stay very much true to the original. The initial portions of the story establish the character of Rajnikanth and bring out his “honest, do-gooder” persona well. The culmination of events leading upto the rape of his sister and death of his mother are build up well and the story moves at a breakneck pace from there on as Rajnikanth transforms into a vigilante. The screenplay too is tight and extremely well done. Once Rajnikanth becomes a vigilante, there are no romantic numbers hindering the process, and the “patriotic” song in the movie is merged well into the films overall main theme. There is no separate comedy track as such either which too works very much in the films flavour.

Director S.A Chandrasekharan does a brilliant job at directing what is a brutal, violent, hard-hitting and extremely well made film. Those expecting a light-hearted masala fare will be in for a complete surprise as this is one very violent and blood-soaked tale of law and order. What sets it apart is that unlike most other vigilante where the “hero”is taking revenge against only those who wronged him, our “hero” here is infact after ANY rowdies and goondas in society who do wrong. Revenge is not his motive, his motive is to make society a better place, and while there will always be people who no doubt have a problem with the portrayl of the “hero” here and his actions, the director has no doubt done well to justify the character of Rajnikanth and his transformation from a college professor to a killer within the realms of commercial cinema.

The director doesn’t succumb to the pressures of conventional film-making totally and his vision is quiet clear right from the outset. The movie features some extremely graphic and brutal rape scenes which aren’t easy to watch, but the scenes are devoid of any kind of sleaze. The body count is high….VERY high, however the situations and setting of each of the murders stops it from being repetitive as there is plenty of variation in the murders. The manner in which the director has portrayed the shootout sequences are outstanding, and no doubt sets this apart as very much a cult film. Each and every bullet that hits a body is shown to spurt large amounts of blood, the shootouts have a real “western” feel to them at times giving more than a passing nod to the likes of Sam Peckingpah and Sergio Leone, and ofcourse quiet a few of them are a direct rip-off from Michael Winters original DEATH WISH.

In terms of a performance Rajknikanth is fantastic to say the least! He goes through the various shades of his character with complete understanding and gives a very convincing performance. In the first half, he excels as a college professor, and as a doting older brother. The relationship he shares with his sister has been well shown, and helps build the impact for whats going to happen later. This is the second time after last nights MANITHAN where I’ve noticed Rajnikanths effective portrayl as a older brother which can only be compared to Bachchans older brother performances in MAJBOOR and SHAHENSHAH.

The vigilante sequences have all been superbly canned, and Rajnikanth fans won’t be disappointed at all, as he plays the character with relish and style. The red scarf and leather outfit suits him well and the director doesn’t go overboard in the glorification of the murders or over glamourising the style factor. Infact, I found this quiet a natural performance from Rajnikanth where he brings out the humane side of his character superbly, and rather than just being a mass-appealing “overman” it’s the emotional quotient that you remember after the film has finished.

The supporting cast in the movie too is superb. Ambika looks stunning, and provides good support. She excels in the court case in the climax. Sathyaraj plays the slimy villan to perfection(think “rapist” Ranjeet in all those Bachchan films). Bagyaraj is superb in a crowd-pleasing performance. The introduction of his character no doubt is a highpoint in the movie and he succeeds in uplifting the proceedings further. He provides ample humour with his sidekick, and the manner in which he starts tracking down Rajni is fun to watch. In the courtroom sequence in the climax he is again wicked and has some great lines.

Rest of the actors who play the numerous villans are apt in their respective parts.

Technically the film is good for it’s times. The action sequences are expertly canned, and as mentioned above, all the shootout sequences are extremely fun to watch and have a real raw-edge about them.

Illyarajas music too is great, but what really stands out here is Illyarajas background score which is just fantastic, and lifts the film in many places.

NAAN SIGAPPU MANIDHAN is NOT your average masala fare by any means, the movie is infact a dark, raw, violent and hard-hitting action fare in a commercial format, and one that has most definetly earned it’s cult status over time, and more-so, one that has held the test of time EXTREMELY well.

Overall Rating=8.0/10.0

A.Shah

Song Of The Week..

Magical...simply magical!

Akshay Shah Reviews “KANA KANDEN”(Tamil, 2005)

Akshay Shah Reviews “Kana Kanden”(Tamil, 2005)

Award Winning cameraman K.V Anand made his debut with this neat little thriller starring Srikanth, Gopika and Malayalam superstar Prthviraj. The movie packs a nice little surprise and turns out to be a gripping, well writte, superbly executed little thriller with neat performances and a gripping story.



The movie revolves around Bhaskar(Srikanth) who marries his childhood sweetheart Anjali(Gopika). Bhaskar is a research scholar who invents a formula which would desalinate seawater and make it available for the common man to drink. He is a idealistic and honest young man who wants to do something good in the world. He approaches the bank and the government who both dismiss his idea. Large corporate companies on the other hand want the idea all to themselves and want Bhaskar to sell them the formula-but Bhaskar wants to use the idea only for the good of the people. Gopika turns into her old school mate Madan(Prithviraj) who is a businessman. He decides to help the couple out and give them a loan of the money which the couple would pay back instalments with interest over a 60 month period. Alls well that ends well? Not quiet, just as things are settling down the film takes a sharp twist as Madan shows his true colours as a ruthless, cold-hearted conman/loanshark whose as greedy as they come. The cunning Madan now starts blackmailing and harassing the duo-a smart man Madan has all the legal angles covered and is a master at producing fraud documents leaving Bhaskar and Gopika helpess. What ensues is a cat n mouse thriller between Bhaskar and Madan..who wins? KANA KANDEN provides the answers.

The story itself on paper doesn’t sound like a unique one. The first half of the movie is a a sweet love story which has shades of SAATHIYA. The initial sequences between Srikanth and Gopika are well handled and helps the viewer build a real rapport with the characters. Just when things are appeaing too normal the movie takes a sharp twist. The introduction of Prithvirajs character Madan is just the right amount of excitement that the movie needed. From hereon the movie turns into a gripping thriller which leaves the viewer enthralled right till the very end. The screenplay is tight, and what could’ve been a overdone and exgarrerated action/revenge thriller turns into a intelligent tale of wits and brains with a little bit of brawn thrown in instead of the other way around.



The performances in the movie are top notch!

This is my third Srikanth movie after BOSE and JOOT. In both the earlier films I found Srikanth fairly good, however reasonably bland and quiet boring as an actor though he played the whole “one man army” routine quiet well. Here with a character based role Srikanth excels, and yes, I finally see the similarities between Srikanth and Shahrukh Khan here which my friends had told me about. Infact, one will even find traces of Madhavan in Srikanths performance but in saying that Srikanth isn’t just a mere puppet or imitation as he adds his own to the character. As a endearing, honest and noble common man Srikanth is simply superb. The initial romantic scenes are well done and they appear to come to Srikanth quiet naturally, however it’s in the second half in the dramatic and action-packed moments where Srikanth springs a surprise. He brings out the “hot-headed” side of his character rather well and portrays the helplessness and frustrations of his character with utmost conviction. Despite the villan in the movie being so strong, Srikanth manages to hold his own and acts as a equal foil.

Gopika was simply excellent. This is the first time I had seen the talented actress, and she gets right into the skin of her character. From the cute newly wed wife in the first half to the helpless and scared wife in the second half she does well with a fairly meaty character and has a LOT more to do than just sing and dance. Her pairing with Srikanth is quiet nice and they share good chemistry. I must add, there is a definite cute appeal about Gopika which is very sexy!

Prithviraj is no doubt the scene stealer in the movie. I have never seen or heard of the actor before, but I have been told he is a huge star in Malayalan cinema. The actor makes a fantastic debut in Tamil playing a suave, sophisticated, cunning, cold, calculated businessman who cares about nothing but money. Twisted and evil, Prithviraj plays his character with a rare amount of subtle patience without going over-the-top as a villan. This is the rare, intelligent kind of villan that one doesn’t get to see in Hindi cinema often enough. The dashing actor has electric screen presence, looks charming on-screen and has magnificent delivery. Initially, he wins the viewer over with his charms, but when his true character is revealed, he brings out the despiseable traits of his character with total conviction and makes a deliciously evil villan. This is the king of villan that plays with the heroes minds, and tortures with intelligence rather than fists and violence. Lines like “it hurts” and “I love the smell of money” are said with such a evil glee that it lingers with the viewer after the movie has finished. If one were to draw a comparison to a similar character in Hindi cinema, then Nasseridian Shah from BEZUBAAN or Akshaye Khanna in HUMRAAZ come to mind. Hats off Prithviraj.



Vivek is great in his comic track. Yes, at times the dialogues are rather crude and extremely vulgar but they do provide a laugh or two, and surprisingly the track doesn’t completely mess with the films pace or stick out.

K.V Anand makes a great debut. He directs the movie with a smooth flowing narrative. He sets the right atmosphere at the start of the movie, and then superbly takes the movie into “thriller” mode keeping the viewer captivated and glued to their seats. If the first half does a superb job with the love story, then it’s the splendid second half that takes the viewer even more for a surprise. The climax of the movie could’ve been tighter and a lot more original. In short-this is a ace debut from a first time director. Mr.Anand knows how to take a story and present it to the viewer in a completely entertaining and gripping manner-well done!

Vidyasagars music is good and hummable. The songs are merged well with the story and the picturisations are nice too.

Technically too, the movie is a slick product with ace camerawork and a rather fresh and sleek look.

All up KANA KANDEN is a immensely watchable film loaded with the right mix of romance and thrills. Laced with superb performances from Srikanth, Gopika and especially Prithviraj it succeeds in keeping the viewer hooked till the very end. Reccommended!

7.5/10.0

A.Shah

Pictures courtesy of www.indiaglitz.com

Akshay Shah Reviews “AUTOGRAPH” (Tamil, 2004)

Akshay Shah Reviews “AUTOGRAPH” (Tamil, 2004)

Every now and then comes a film, that during the course of watching becomes an “experience” of sorts as it touches the viewer on a emotional level and the proceedings on-screen force the viewer to reflect on their own life, AUTOGRAPH is one such film and a beautiful one at that.

The premise of the movie is unique and refreshing given I’m used to (and in love with) the “masala” mould films that come from Tamil cinema AUTOGRAPH took me totally by surprise and left me with a rewarding viewing experience which I will cherish in years to come.

The movie is more or less a autobiography of writer, director and actor Cheran who rewinds the memories of his childhood right from his teenage years to a grown man as he looks back on his romantic escapades and failed love affairs as he strives ahead to his wedding day.



The movie starts with Senthil(Cheran) who comes back to his childhood village to give wedding cards to all his friends, teachers and more importantly, his first love Kamala(Mallika). The story switches between flashbacks oh his childhood, as well as flashes of Senthil in current time as he remembers the past.
The second part of the story is set in Kerala in Senthils college days, and here he falls in love with a Malayalee girl (Gopika), and again he falls in love and fails as Gopika is married off to someone else.

Heartbroken and distraught, he moves again, this time to Chennai where he bumps into a girl(Sneha) who helps him find himself and his self identity as well as helping him get his life together by finding him a decent job as a advertising executive in a good company.

As he visits each of these places, he gives weddings cards too all the people from his past inviting them all to his wedding. In the finale, Senthils wedding day finally arrives, as do all the people that have influenced him in some what to make him the man he is today. Memories…..they last forever!

The screenplay by Cheran is good for the most though could’ve been stronger. The movie starts off at a fast pace with the first episode which is laced with plenty of comedy and heart warming moments, however once it gets to the third episode with Sneha, the movie gets a little too long, and one wishes that Cheran hadn’t been so self indulgent and moved the story faster. The second story has been told well, and despite being slow, keeps the viewers interest alive.



The real star of the show is Cheran-the director. He manages to tap into the psyche of bringing out childhood memories and as Senthil in the movie self reflects on his life and memories, the viewer can’t help but identify with his situations and reflect on their own. The milieu and setting of each viewers life may offcourse be different, but the themes and emotions that Cheran portrays are no doubt universal (childhood memories, first love, first heartbreak, failure, rising above failure, school “masti”).

The movie, for the most is devoid of any cinematic clichés and over-the-top emotions as it relies heavily on REAL emotions and situations. At times, the movie is akin to reading someones personal diary or watching a home video which in my view is the real trump card. Poignantly real, naturally comic and heart-breakingly emotional Cheran bowls the viewer over with his sensitivity and command over the medium and also his ability to not slip into clichés. The first portions of the movie remain my favourite-his first love with Mallika is just so sweet and natural that it strikes a instant chord with the viewer and helps us connect with Senthils character right away. The second story too has been told well, though towards the end has the tendency to get a bit overdramatic in parts. But that is short-lived. The third track starts out well, though one feels it could’ve been shortened as the pace slumps heavily, but even there it salvages it self in a outstanding manner and from the portions where the truth about Gopika is revealed right through the final moments the movie is directed with a masterstroke.

The climax of the movie is one that will no doubt melt even the most stone-hearted as each and every one of the people from his past come to his wedding.

Hats off Cheran for a unforgettable viewing experience!

In terms of performances the movie too is great!

Cheran does a fantastic job in the leading role. His puppy, innocent face, warm eyes and winning smile all are brilliant, and one can tell that Cheran is very much Senthil and Senthil is very much Cheran given this is a biography of sorts on Cherans “real” life. The actor who plays Cheran in the initial portions is outstanding, and brings out the innocence of childhood with aplomb. Cherans key strength is to portray the deepest emotions with his warm and expressful face which does the work of a 1000 dialogues, and his final look will long linger with the viewer after the movie is over. Be it happiness, sadness, remose or regret..Cheran is just superlative.

The four girls in his life too have done a splendid job.



Mallika who plays “Kamala” is natural to the core and leaves a lasting impression with her raw looks and completely real performance. Her smile is a winner!

Gopika as the Malaylee girl is good in the first half, however in the second half when Cheran bumps into her again, she is simply brilliant and gives a heartfelt performance where one expression leaves a stamp on the viewers heart.

Sneha is good in her part, though I didn’t find her performance as effective as the first two, though no doubt her character is vital to Senthil as she is one of the biggest influences in shaping his life.

Kanika as the girl who finally weds Cheran is cute with her “girl-next-door” looks.

Bharadwajs music is superb, and all the songs have been meticulously merged with the narrative to ensure there is no hindrances to the movies pacing. The background score deserves a standing ovation as it is really a stunning piece of work and elevates the movie throhghout.

Technically too the movie is a masterpiece. The four cinematographers Ravivarman, Vijay Milton, Dwarakanath and Shanki Mahendra all do a spectacular job, and all the locales from the village to Kerala to Chennai have been shot like a stunning painting on celluloid.

It would be unfair to term AUTOGRAPH as just another movie, as the movie during the process of watching it becomes a “experience” of sorts, and one that searches into the psyche of the viewer watching the film while they too, self reflect on their life much like Senthil does. It make you laugh, it makes you cry and above all…it makes you think…”I wonder what happened to that girl in Form 3”? Memories we’ve cast away with time AUTOGRAPH brings back in a flash. As mentioned above, I did think the screenplat could’ve been tighter and the editing sharper, however the minuses in the movie are outweighed and bowled over by the plusses, this folks is a MUST SEE!

Highly Reccomended!

8.7/10.0

A.Shah

Pictures courtesy of www.indiaglitz.com